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《黑鏡子》 英語(yǔ)電影觀后感
英國(guó)“神劇”《黑鏡子》為我們構(gòu)建了一個(gè)看似荒謬無(wú)稽的世界，而仔細(xì)想想，在現(xiàn)實(shí)中這些并非不可能。科技在為我們帶來(lái)便捷的同時(shí)，也埋下了一些隱患。
The manner in which TV series in the UK are aired can be highly frustrating at times. Sometimes you only get three episodes of a show and then nothing else for a couple of years.
英劇的播出方式偶爾會(huì)令人心情跌到谷底，有時(shí)只只播出前，之后便沉寂數(shù)年。
While waiting for more episodes is frustrating, it does allow a lot of interesting ideas to make it onto TV screens, thus always offering audiences something exciting to watch.
雖然追劇是件令人抓狂的事，但這樣一來(lái)，也為熒幕上的一些奇思妙想提供了沃土，從而不斷為觀眾帶來(lái)驚喜。
One such exciting idea is the mini-series Black Mirror. Aired on Channel 4 in the UK, it’s a series of three unrelated one-hour short movies that all offer a twisted commentary on technology.
迷你劇《黑鏡子》便是這樣一部令人欣喜的作品。這部在英國(guó)第四頻道播出的劇集由三個(gè)時(shí)長(zhǎng)一小時(shí)的獨(dú)立短片構(gòu)成，全部反映出對(duì)于科技的一種幾近扭曲的注釋。
For those not familiar with the series, let’s take a look at some of the intriguing yet strange topics of the previous episodes so that you can get an idea.
有人可能還不熟悉該劇，我們來(lái)“科普”一下前幾集里妙趣橫生，而又匪夷所思的主題。
In one story, an unknown person kidnaps a British princess and posts a ransom video on YT. The video says that the princess will be set free if the British prime minister performs an indecent act with a pig on live TV.
其中一集中，匿名人士綁架了英國(guó)公主，接著在視頻網(wǎng)站YT上發(fā)布勒索視頻。視頻中，綁匪要求英國(guó)首相公開(kāi)在電視上與一只豬進(jìn)行一段不雅表演以換取公主的平安歸來(lái)。
Another story is set in a future where people must pedal bikes in order to generate power for the world and earn money that they can spend only on food, skipping TV ads, other entertainment and to change their online avatar.
另一個(gè)故事架構(gòu)于未來(lái)世界，在那里人們必須通過(guò)騎車發(fā)電來(lái)維持世界的運(yùn)轉(zhuǎn)，同時(shí)為自己賺取消費(fèi)點(diǎn)數(shù)。這些“貨幣”只能用來(lái)夠買食物、跳過(guò)電視廣告、參加其他一些文娛活動(dòng)以及更換自己的虛擬形象。
In the third and final episode of season two, which aired on Feb 27, a computer-generated character from a TV show is jokingly put forward to become a member of Parliament.
作為本季的收官之作，《黑鏡子》第二季的第三集于2月27日播出。在這集中，一檔電視節(jié)目中的虛擬人物仿佛開(kāi)玩笑般地提出要競(jìng)選國(guó)會(huì)議員。
One of the joys of watching Black Mirror is that as an anthology series it changes its setting, characters and theme in each episode, always leaving viewers unsure about what to expect in the next installment.
觀看《黑鏡子》的樂(lè)趣之一就在于：像這樣一部多段式劇集故事集，每集都會(huì)有著不同的故事背景、人物以及主題，觀眾永遠(yuǎn)不知道下一集會(huì)是什么內(nèi)容。
But the series presents a world in which anything is possible thanks to technology — a hard, cold fact that is less joyous to digest.
而該劇卻為人們呈現(xiàn)出一個(gè)“科技無(wú)所不能”的'世界，這個(gè)嚴(yán)酷而不爭(zhēng)的事實(shí)一時(shí)令人難以接受。
The stories, often through extreme situations, explore the human anxieties that surround technology: when we enjoy science but ignore morality, will we suffer a disaster?
這些故事往往通過(guò)極端的狀況來(lái)探尋被科技包圍的人們內(nèi)心的焦慮：當(dāng)我們享受科技而忽視道德時(shí)，我們是否在自掘墳?zāi)?
Charlie Brooker, creator of the series, described Black Mirror as being about “the way we live now — and the way we might be living in 10 minutes’ time if we’re clumsy”.
該劇的編劇查理布魯克稱《黑鏡子》展現(xiàn)的就是“我們現(xiàn)在的生活方式——或者如果我們還是這樣繼續(xù)冥頑不靈的話，這將是我們十分鐘后的生活方式�！�
I’ve always enjoyed TV series and movies that make people think. Black Mirror is undoubtedly a thought-provoking experiment and a refreshing change from other programs on the schedule.
我一直很對(duì)這種發(fā)人深省的影視劇情有獨(dú)鐘�！逗阽R子》無(wú)疑是一次引人深思的嘗試，不同于同檔的其他一些節(jié)目，令觀眾耳目一新！
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