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id="zvd92vv6bc" class="main-left"> <div id="zvd92vv6bc" class="article"> <script type="text/javascript">s("title_top");</script> <h1 class="title">滕王閣序?qū)懽魈厣治?/h1> <div id="zvd92vv6bc" class="info"> <span id="zvd92vv6bc" class="time">時(shí)間：2024-09-02 12:09:00 </span> <span id="zvd92vv6bc" class="sm_after_time"></span> <span id="zvd92vv6bc" class="source"><a target="_blank" href="http://m.runthegoodtimes.com/wenxue/tengwanggexu/" title="滕王閣序">滕王閣序</a></span> <span id="zvd92vv6bc" class="source"><a target="_blank" href="http://m.runthegoodtimes.com/usr/login.html" title="我要投稿">我要投稿</a></span> </div> <script type="text/javascript">s("content_top");</script> <div id="zvd92vv6bc" class="content"> <div id="zvd92vv6bc" class="excellent_articles_box"><ul> <li id="zvd92vv6bc" class="excellent_articles_title">相關(guān)推薦</li> </ul></div> <p>滕王閣序?qū)懽魈厣治?/p><p> 　　導(dǎo)語：滕王閣序是一篇用駢體寫成的詩序，但它筆力明快、風(fēng)格清新、氣勢(shì)浩蕩，堪稱典范之作。</p><p style="text-align: center;"><img loading="lazy" src="https://p.9136.com/00/l/ebf8cdf5b8f3d0f25_5ee9e111a872d.jpg" alt="滕王閣序?qū)懽魈厣治?/></p> <p> 　　<strong>寫作特色</strong></p> <p> <strong>　　整體感知</strong></p> <p> 　　本文原題為《秋日登洪府滕王閣餞別序》，全文運(yùn)思謀篇，都緊扣這個(gè)題目。全文共分四段，第1段(1)歷敘洪都雄偉的地勢(shì)、游玩的時(shí)間、珍異的物產(chǎn)、杰出的人才以及尊貴的賓客，緊扣題中“洪府”二字來寫;第2段(2—3)展示的是一幅流光溢彩的滕王閣秋景圖，近觀遠(yuǎn)眺，都是濃墨重彩，寫出了滕王閣壯美而又秀麗的景色，緊扣題目“秋日”、“登滕王閣”六字來寫;第3段(4—5)由對(duì)宴會(huì)的描寫轉(zhuǎn)而引出人生的感慨，緊扣題目中“餞”字來寫;最后一段(6—7)自敘遭際，表示當(dāng)此臨別之際，既遇知音，自當(dāng)賦詩作文，以此留念，這是緊扣題中“別”、“序”二字來寫。由此看來，全文層次井然，脈絡(luò)清晰;由地及人，由人及景，由景及情，可謂絲絲入扣，層層扣題。</p> <p> <strong>　　局部思路揭示</strong></p> <p> 　　本文因餞別而作，但對(duì)宴會(huì)之盛僅略敘，數(shù)筆帶過，而傾全力寫登閣所見之景，因景而生之情，不落窠臼，獨(dú)辟蹊徑。而局部思路的布局謀篇，取舍立意，亦頗見為文之功底。以第五段為例說明作者的情感起伏脈絡(luò)：</p> <p> 　　先用一連串短句抒發(fā)感嘆：“時(shí)運(yùn)不濟(jì)，命途多舛。馮唐易老，李廣難封。”而后長短結(jié)合，抒發(fā)自己的憤郁悲涼：“屈賈誼于長沙，非無圣主;竄梁鴻于海曲，豈乏明時(shí)?”最后又用先短后長的一組對(duì)偶表明心志：“孟嘗高潔，空余報(bào)國之情;阮籍猖狂，豈效窮途之哭?”鏗鏘的語調(diào)表達(dá)了自己不甘沉淪的決心。</p> <p> <strong>　　精彩語句揣摩</strong></p> <p> 　　1.“潦水盡而寒潭清，煙光凝而暮山紫”</p> <p> 　　賞析：作者善用靈活多變的筆法描寫山容水態(tài)，表現(xiàn)樓臺(tái)的壯觀，登高臨遠(yuǎn)，意心飛揚(yáng)，從而把讀者帶入身臨其境的審美境地。“潦水盡而寒潭清，煙光凝而暮山紫”寫出了色彩變化之美。這兩句不囿于靜止的畫面色彩，而著力表現(xiàn)山光山色的色彩變幻：寒潭之水因積水退盡而一片清明;傍晚的山巒因暮靄籠罩而呈紫色。上句設(shè)色淡雅，下句設(shè)色濃重，在色彩的濃淡對(duì)比中，突出秋日景物的特征，被前人譽(yù)為“寫盡九月之景”。</p> <p> 　　2.“落霞與孤鶩齊飛，秋水共長天一色”</p> <p> 　　賞析：這一句素稱千古絕唱。青天碧水，天水相接，上下渾然一色：彩霞自上而下，孤鶩自下而上，相映增輝，構(gòu)成一幅色彩明麗而又上下渾成的絕妙好圖。這兩句在句式上不但上下句相對(duì)，而且在一句中自成對(duì)偶，形成“當(dāng)句對(duì)”的特點(diǎn)。如“落霞”對(duì)“孤鶩”，“秋水”對(duì)“長天”，這是王勃駢文的一大特點(diǎn)。</p> <p> 　　3.“老當(dāng)益壯，寧移白首之心?窮且益堅(jiān)，不墜青云之志。”</p> <p> 　　賞析：這是全文最富思想意義的警語，是本文的文眼。古往今來有多少有志之士，面對(duì)一切艱難險(xiǎn)阻，總能執(zhí)著地追求自己的理想，即使在郁郁不得志的逆境當(dāng)中也不消沉放棄。東漢馬援云：“大丈夫?yàn)橹荆F當(dāng)益堅(jiān)，老當(dāng)益壯。”王勃在此化用，由人生的離別引發(fā)人生遇合的感慨，警示那些“失路之人”不要因年華易逝和處境困頓而自暴自棄。而王勃此時(shí)正懷才不遇，但仍有這般情懷，確實(shí)難能可貴。</p> <p> <strong>　　《滕王閣序》寫景四大特點(diǎn)</strong></p> <p> 　　《滕王閣序》的寫景頗有特色，作者精心構(gòu)畫，苦苦經(jīng)營，運(yùn)用靈活多變的手法描寫山水，體現(xiàn)了一定的美學(xué)特征。</p> <p> 　　1.色彩變化</p> <p> 　　文章不惜筆墨，濃墨重彩，極寫景物的色彩變化。如“紫電青霜”中的“紫電”，“飛閣流丹”中的“流丹”，“層巒聳翠”中的“聳翠”，“青雀黃龍之軸”中的“青雀”“黃龍”無不色彩繽紛，搖曳生輝。尤其“潦水盡而寒潭清，煙光凝而暮山紫”一句，不囿于靜止畫面色彩，著力表現(xiàn)水光山色之變化，上句樸素淡雅，下句設(shè)色凝重，被前人譽(yù)為“寫盡九月之景”之句。</p> <p> 　　遠(yuǎn)近變化</p> <p> 　　作者采用恰當(dāng)?shù)姆椒�，猶如電影的拍攝技術(shù)，由近及遠(yuǎn)，構(gòu)成一幅富有層次感和縱深感的全景圖。“鶴汀鳧渚”四句寫閣四周景物，是近景;“山原曠其盈視”二句寫山巒、平原和河流、湖澤，是中景;“云銷雨霽”以下則是水田浩淼的遠(yuǎn)景。這種寫法，是《滕王閣序》寫景的最突出特點(diǎn)，體現(xiàn)了作者立體化的審美觀，把讀者帶進(jìn)了如詩如畫的江南勝境，讀者和景物融為一體，人在景中，景中有人。</p> <p> 　　3.上下渾成</p> <p> 　　“層巒聳翠”四句，借視角變化，使上下相映成趣，天上地下，城里城外，相與為一，不可分離，體現(xiàn)了作者整齊劃一的審美觀。而“落霞與孤鶩齊飛，秋水共長天一色”更是寫景名句，水天相接，渾然天成，構(gòu)成一幅色彩明麗的美妙圖畫。</p> <p> 　　4.虛實(shí)相襯</p> <p> 　　“漁舟唱晚”四句，即憑借聽覺聯(lián)想，用虛實(shí)手法傳達(dá)遠(yuǎn)方的景觀，使讀者開闊眼界，視通萬里。實(shí)寫虛寫，相互諧調(diào)，相互映襯，極盡鋪敘寫景之能事。</p> <p> 　　總之，《滕王閣序》一文的寫景頗具匠心，字字珠璣，句句生輝，章章華彩，一氣呵成，使人讀完后猶如身臨江南水鄉(xiāng)，難怪韓愈情不自禁地稱贊說：“江南多臨觀之類，而滕王閣獨(dú)為第一。”</p> <script>s("content_relate");</script><p>【滕王閣序?qū)懽魈厣治觥肯嚓P(guān)文章：</p><p><a target="_blank" href="http://m.runthegoodtimes.com/wenxue/tengwanggexu/312855.html" 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